Valerio is basically a "good guy", he takes refuge in his books, in his silences, in the "unspoken" and in those few words spoken in a low voice. He is shy and awkward, he is someone who lives life with his head down, never with his head held high, a man of the aquarium, as an ampoule, certainly not a "sea fish". The last day of the bull is a comedy about the evil of living.

Toro (Spanish for "Bull") is a young con man and the right hand of Romano, a powerful mob boss in Torremolinos, Málaga (Andalusia, south to Spain). After Toro decides to leave Romano to get a life free of crime, his last sting fails, resulting one of his brothers dead and he sent to jail. Five years later, Romano realizes that López, Toro's older brother, is robbing him money from his tourism business and he orders to kidnap Diana, López's little daughter, until this one get back the money. Without options, López visits Toro, now a touristic driver with the third grade prison close to get the parole, who only wants to be free to marry his girlfriend Estrella. When Toro accepts to help López and both meet Romano looking for a solution, Toro ends attacking Romano's men and fleeing with Diana, trying to escape from Romano's revenge. But Romano starts a ruthless searching for they three, meanwhile Toro counts the hours to back the prison according to the third grade...

Carlo Corsi, coach of a rising football team, encourages his talented son Marco to become a champion. However, Marco struggles with the pressure, leading him to use performance-enhancing drugs. The mother, Giovanna, tries to reunite the family through their shared love of the sport.

Vita and Valeria are two women who meet while attending a theater course, during which a great passion was born. Moment after moment, scene after scene, the relationship changes and Vita finds herself in a violent and painful bond, which becomes constraint.

The documentary analyzes the Cabaret phenomenon from its Parisian origins to the present time directly from the accounts of its protagonists. A historical/artistic excursus that will show us how Cabaret has a cyclical and episodic pattern. To do this, the documentary analyzes the very concept of laughter of which the comedian represents but a part. We will show the great difference that passes between laughter used as a tool and laughter used as a purpose, highlighting the differences between Cabaret and Variety, that is, between those who make people laugh to tell and those who tell to make people laugh.

A César award nominated short feature.

Filmed in Rome and Bangkok, the film tells the story of Giulio, who has felt like he was born in the wrong body since he was a child. At the age of 27, he decides to undergo surgery, at a prestigious clinic in Thailand. But once he becomes a woman, he suffers an identity crisis that he overcomes with the help of his companion and lifelong friends.

The rise and fall of sicilian most important mafia bosses after WWII: Luciano Liggio, Totò Riina and Bernardo Provenzano, all from Corleone. Their friendship and struggle against italian state.

A group of young people find themselves at the centre of a criminal trial. Between classroom, court, and everyday life, tensions and questions about responsibility and truth emerge. This ‘student film’ is part of the project ‘Il Cinema... a Processo’, in which primary school pupils, guided by teachers and educators, in collaboration with the Court of Pesaro, conceive the story and also star in the film.

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