Valerio is basically a "good guy", he takes refuge in his books, in his silences, in the "unspoken" and in those few words spoken in a low voice. He is shy and awkward, he is someone who lives life with his head down, never with his head held high, a man of the aquarium, as an ampoule, certainly not a "sea fish". The last day of the bull is a comedy about the evil of living.

Vita and Valeria are two women who meet while attending a theater course, during which a great passion was born. Moment after moment, scene after scene, the relationship changes and Vita finds herself in a violent and painful bond, which becomes constraint.

Carlo Corsi, coach of a rising football team, encourages his talented son Marco to become a champion. However, Marco struggles with the pressure, leading him to use performance-enhancing drugs. The mother, Giovanna, tries to reunite the family through their shared love of the sport.

A César award nominated short feature.

The documentary analyzes the Cabaret phenomenon from its Parisian origins to the present time directly from the accounts of its protagonists. A historical/artistic excursus that will show us how Cabaret has a cyclical and episodic pattern. To do this, the documentary analyzes the very concept of laughter of which the comedian represents but a part. We will show the great difference that passes between laughter used as a tool and laughter used as a purpose, highlighting the differences between Cabaret and Variety, that is, between those who make people laugh to tell and those who tell to make people laugh.

The rise and fall of sicilian most important mafia bosses after WWII: Luciano Liggio, Totò Riina and Bernardo Provenzano, all from Corleone. Their friendship and struggle against italian state.

A group of young people find themselves at the centre of a criminal trial. Between classroom, court, and everyday life, tensions and questions about responsibility and truth emerge. This ‘student film’ is part of the project ‘Il Cinema... a Processo’, in which primary school pupils, guided by teachers and educators, in collaboration with the Court of Pesaro, conceive the story and also star in the film.

Ernesto, a forgotten writer, lives isolated in his apartment, where the days repeat themselves like a distant echo. His only contact with the world is Luz, the waitress from the bar on the corner. As he contemplates going away, the line between reality and fiction fades like smoke disappearing into the air.

Ximena's dad lost his job and it doesn't seem like he is trying to get one. She leaves school to support her family but a power war will break out between her and her father when his authority figure is threatened.

It is 1926 when the famous cyclist Costante Girardengo finds himself in Paris for an important race; his friend Sante Pollastri, a bandit wanted in Italy and France, is also in the French capital. The destinies of the two seem to come together again.